Adel Labs / Selected work

ORVEN INTERIORS

Interiors identity &
cinematic web design

Four rooms, each with its own rhythm.
A website made to let them unfold.

Orven Interiors brings light, material and movement into focus. From the tiled calm of Tidal Room to the afternoon warmth of Sun Court, each space unfolds through film, close details and a considered sequence of views.

Enter the website
Sun Court's square roof aperture casts afternoon light across a limestone ledge and rust sofa.
Sun Court — the first of four original interior studies.

The point of view

Begin with a moment,
then make a room.

A seat in afternoon sun. Water reflecting on a wall. A table at dusk. A quiet place to listen. Each brief starts with an ordinary encounter and works outward through geometry, texture and light.

The imagined founder, Mira Varen, gives the studio a voice without borrowing a real person's biography or credentials. The copy stays close to what the images show: an edge, a surface, a shadow, a way into the room.

The identity

Ivory, olive
and a quiet rhythm.

Lightly spaced capitals give the Orven Interiors wordmark a clear, minimal shape. Cormorant Garamond carries the editorial headings; Outfit keeps navigation and captions clear. Warm ivory, olive and bronze hold the images together without imposing one colour on every room.

Orven Interiors wordmark in spaced uppercase letters
Cormorant GaramondA slower kind
of space.
Outfit

Space to sit.
Time to look.
Light to follow.

Ivory
Ink
Bronze
Olive

The experience

The film opens the door.
The chapter lets you stay.

A brief curtain opening gives way to an editorial introduction and four selectable silent films. The cinema grows as the page moves into it. Its caption band keeps the film choices and playback controls visible across bright and dark scenes.

Beyond the films, image reveals and restrained parallax connect wide views, alternate perspectives, material arrangements and spatial studies. A horizontal sequence brings the four rooms together before the studio story. The project index allows direct movement between chapters.

Playback and motion controls remain explicit. Pausing a film leaves a usable still view. Reduced motion removes the curtain and spatial movement, returns pinned sections to normal flow and keeps the horizontal sequence available by swipe and keyboard controls.

Tidal Room's green tiled bath and timber screen in cool daylight.
02 / Tidal RoomExplore the space
Ember Table's walnut dining table and warm paper lantern against burgundy plaster.
03 / Ember TableExplore the space

The visual world

Every surface belongs
to the same room.

Each room has a defined arrangement of forms and materials. Its moving image, still views and drawings return to that arrangement, carrying the story from the opening film down to the smallest detail.

The material boards are illustrative selections. The drawings explain spatial relationships without implying construction documents or established building performance.

Original illustrative spatial drawing of Fold House with the folded screen, record cabinet and seating.
Fold House / Spatial study

A freestanding fold interrupts the first view, then reveals a place to sit and listen.

Illustrative only; not a construction drawing.

Project credits

Identity, imagery
and interaction.

Design & development
Imad A. Adel
Contribution
Studio naming and narrative, visual identity, interior art direction, original visual studies, editorial copy, website design and development.
Interaction study
The curtain introduction, pinned cinema, chapter rhythm and moving-image selector study the interaction language of an earlier owner-authored interiors website. This work uses a separate identity, room designs, copy and visual material.
Typefaces
Space Grotesk, Cormorant Garamond and Outfit. Font licences are included with the website.

Spend a moment
inside the rooms.

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